William Friedkin, the generation-defining director who brought a visceral realism to 1970s hits 91ƵThe French Connection91Ƶ and 91ƵThe Exorcist91Ƶ and was quickly anointed one of when he was only in his 30s, has died. He was 87.
Friedkin, who won the for 91ƵThe French Connection,91Ƶ died Monday in Los Angeles, Marcia Franklin, his executive assistant for 24 years, told The Associated Press on behalf of his family and wife, former His son Cedric Friedkin told the AP he died after a long illness.
91ƵHe was role model to me and to (my brother) Jack,91Ƶ Cedric Friedkin said. 91ƵHe was a massive inspiration.91Ƶ
He cemented his legacy early with 91ƵThe French Connection,91Ƶ which was and deals with the efforts of maverick New York City police Detective James 91ƵPopeye91Ƶ Doyle to track down Frenchman Alain Charnier, mastermind of a large drug pipeline funneling heroin into the United States.
It contains one of the most thrilling chase scenes ever filmed: Doyle, played by in an Oscar-winning performance, barely misses making the arrest on a subway train, then stops a passing car to follow the train as it emerges on an elevated railway. He races underneath, dodging cars, trucks and pedestrians, including a woman pushing a baby buggy, before catching up to one of Rey91Ƶs henchmen and shooting him.
The movie, which was made for only $2 million, became a box office hit when it was released in 1971. It won Academy Awards for best picture, screenplay and film editing, and led critics to hail Friedkin, then just 32, as a leading member of a new generation of filmmakers.
He followed with an even bigger blockbuster, 91ƵThe Exorcist,91Ƶ released in 1973 and based on bestselling novel about a 12-year-old girl possessed by the devil.
The harrowing scenes of the girl91Ƶs possession and a splendid cast, including Linda Blair as the girl, as her mother and and Jason Miller as the priests who try to exorcise the devil, helped make the film a box-office sensation. It was so scary for its era that many viewers fled the theater before it was over and some reported being unable to sleep for days afterward.
91ƵThe Exorcist91Ƶ received 10 Oscar nominations, including one for Friedkin as director, and won two, for Blatty91Ƶs script and for sound.
With that second success, Friedkin would go on to direct movies and TV shows well into the 21st century. But he would never again come close to matching the acclaim he91Ƶd received for those early works, and gained a reputation for clashing with both actors and studio executives.
91ƵI embody arrogance, insecurity and ambition that spur me on as they hold me back,91Ƶ he wrote in his 2012 memoir.
His 1977 film 91ƵSorcerer,91Ƶ a gangster thriller starring Roy Scheider was widely panned at the time and also failed with audiences. It91Ƶs since been reappraised by critics and has become a cult classic that Friedkin himself would continue to defend. In 2017, he told IndieWire that it91Ƶs the only of his films that he could still watch.
91ƵThe zeitgeist had changed by the time it came out,91Ƶ he said in 2013. 91ƵIt came out at the time of 91ƵStar Wars,91Ƶ and that more than any film that I can recall really captured the zeitgeist.91Ƶ
91ƵStar Wars91Ƶ was a film he was approached to produce, but he said later that he couldn91Ƶt see its potential. He also turned down 91ƵMASH91Ƶ for the same reason.
Francis Ford Coppola praised Friedkin in a statement, saying his films 91Ƶare alive with his genius.
91ƵPick any of them out of a hat and you91Ƶll be dazzled. His lovable, irascible personality was cover for a beautiful, brilliant, deep-feeling giant of a man. It91Ƶs very hard to grasp that I will never enjoy his company again, but his work will at least stand in for him,91Ƶ Coppola91Ƶs statement said.
A few years after 91ƵSorcerer91Ƶ brought him back to Earth, he followed with another disappointment: 91ƵCruising,91Ƶ starring as a cop who goes undercover to solve the grisly murders of several gay men. It was protested by gay rights activists for how it depicted homosexuality.
Other film credits included 91ƵTo Live and Die in L.A.,91Ƶ 91ƵRules of Engagement91Ƶ and a TV remake of the classic play and Sidney Lumet movie 91Ƶ12 Angry Men.91Ƶ Friedkin also directed episodes for such TV shows as 91ƵThe Twilight Zone,91Ƶ 91ƵRebel Highway91Ƶ and 91ƵCSI: Crime Scene Investigation.91Ƶ
Born in Chicago on Aug. 29, 1935, he began working in local TV productions as a teenager. By age 16, he was directing live shows.
91ƵMy main influence was dramatic radio when I was a kid,91Ƶ he said in a 2001 interview. 91ƵI remember listening to it in the dark, Everything was left to the imagination. It was just sound. I think of the sounds first and then the images.91Ƶ
He moved from live shows to documentaries, making 91ƵThe People Versus Paul Crump,91Ƶ in 1962. It was the story of a prison inmate who rehabilitates himself on Death Row after being sentenced for the murder of a guard during a botched robbery at a Chicago food plant.
Producer David Wolper was so impressed with it that he brought Friedkin to Hollywood to direct network TV shows.
After working on such shows as 91ƵThe Bold Ones,91Ƶ 91ƵThe Alfred Hitchcock Hour91Ƶ and the documentary 91ƵThe Thin Blue Line,91Ƶ Friedkin landed his first film, 196791Ƶs 91ƵGood Times.91Ƶ It was a lighthearted musical romp headlined by the pop duo Sonny and Cher in what would be their only movie appearance together.
He followed that with 91ƵThe Night They Raided Minsky91Ƶs,91Ƶ about backstage life at a burlesque theater, and 91ƵThe Birthday Party,91Ƶ from a Harold Pinter play. He then gained critical attention with 197091Ƶs 91ƵThe Boys in the Band,91Ƶ a landmark film about gay men.
Author and film historian Mark Harris wrote on social media that, 91ƵNot many directors can say they made a gay movie that people argue about decades later. William Friedkin made two: Boys in the Band (I like it, many don91Ƶt) and Cruising (I don91Ƶt like it, many do). That91Ƶs not nothing.91Ƶ
Friedkin had three brief marriages in the 1970s and 91Ƶ80s, to French actress British actress Lesley-Anne Down, with whom he had a son; and longtime Los Angeles TV news anchor Kelly Lange. In 1991, he married Paramount studio executive Lansing.
In recent years, Friedkin wrote a candid memoir, 91ƵThe Friedkin Connection,91Ƶ and directed several well-received movies adapted from including 91ƵBug91Ƶ and 91ƵKiller Joe,91Ƶ starring Matthew McConaughey as a hit man. And he wasn91Ƶt done working yet: A new film, 91ƵThe Caine Mutiny Court-Martial,91Ƶ starring Kiefer Sutherland, is set to premiere next month.
He was also always willing to reflect on his rollercoaster career, especially as 91ƵThe French Connection91Ƶ celebrated its 50th anniversary. Thinking back to the iconic car chase sequence, Friedkin told NBC News in 2021 that it was legitimately life-threatening and that he91Ƶd never do it again.
91ƵEverything you see, we actually did. There was no CGI then. There was no way to fake it. I just put the pedal to the metal, and we went 90 miles an hour in city traffic,91Ƶ he said. 91ƵThe fact that nobody got hurt is a miracle. The fact that I didn91Ƶt get killed, the fact that some of the crew members didn91Ƶt get hurt or killed. That91Ƶs a chance I would never take again. I was young and I didn91Ƶt give a damn. I just went out and did it. I set out to make a great chase scene and I didn91Ƶt care about the consequences, and now I do.91Ƶ
Friedkin91Ƶs influence on film and popular culture continues to live on too. A new 91ƵExorcist91Ƶ film is even coming out this year, from director with Burstyn reprising her role.
Friedkin said he never got too worried about what the critics were saying over the years.
91ƵI really don91Ƶt live by what the critics write, although I was aware of the critical reception of all of my films,91Ƶ he reflected in 2013. 91ƵMy own take on the films I91Ƶve made is based on what I achieved versus what I set out to do.91Ƶ
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