certainly lives up to its title. You are hardly closer to understanding the soul of after watching more than two hours of this moody look at America91Ƶs most enigmatic troubadour. But that91Ƶs not the point of biopic: It91Ƶs not who Dylan is but what he does to us.
Mangold 91Ƶ who directed and co-wrote the screenplay with Jay Cocks 91Ƶ doesn91Ƶt do a traditional cradle-to-the-near-grave treatment. He concentrates on the few crucial years between when Dylan arrived in New York in 1961 and when he blew the doors off the Newport Folk Festival in 1965 by adding a Fender Stratocaster.
That means we never learn anything about Dylan before he arrives in Manhattan91Ƶs Greenwich Village with a guitar, a wool-lined bomber jacket, a fisherman91Ƶs cap and ambition. And Dylan being Dylan, we just get scraps after that.
The world spins around him, Women fall in love with him, musicians seek his orbit, fans demand his autograph, record executives fight over his signature. The melds into the and the What does Dylan make of all this? The answer is blowing in the wind.
Any sane actor would run away from this assignment. Not , and 91ƵA Complete Unknown91Ƶ is his most ambitious work to date, asking him not only to play insecure-within-a-sneer but also to play and sing 40 songs in Dylan91Ƶs unmistakable growl, complete with blustery harmonica. Daniel Craig has been called brave for his role this awards season in Try playing 91ƵSubterranean Homesick Blues91Ƶ in front of a crowd.
The last big non-documentary attempt to understand Dylan was Todd Haynes91Ƶ which split the assignment among seven actors. Chalamet does it all, moving from callow, fresh-faced songsmith to arrogant, selfish New Yorker to jaded, staggering pop star to Angry Young Man. There are moments when Chalamet tilts his head down and looks at the world slyly, like Princess Diana. There are others when the resemblance is uncanny, but also moments when it is a tad forced. You cannot deny he91Ƶs got the essence of Dylan down, though.
The movie91Ƶs title is pulled from Dylan91Ƶs lyrics for 91ƵLike a Rolling Stone91Ƶ and it91Ƶs adapted from Elijah Wald91Ƶs book 91ƵDylan Goes Electric! Newport, Seeger, Dylan, and the Night That Split the Sixties.91Ƶ Dylan isn91Ƶt a producer but did consult on the script.
It91Ƶs not the most glowing profile, though the sheer brilliance of the songs 91Ƶ so many the movie might be deemed a musical 91Ƶ show Dylan91Ƶs undeniable genius. Chalamet91Ƶs Dylan is unfaithful, jealous and puckish. The movie suggests that adding electric guitar at Newport in 91Ƶ65 was less a brave stand for music91Ƶs evolution than a middle finger to anyone who dared put him in a box.
In some ways, 91ƵA Complete Unknown91Ƶ uses some of the DNA from 91ƵI91Ƶm Not There.91Ƶ The best clues to what91Ƶs going on behind Dylan91Ƶs shades are the refracted light from others, like Joan Baez, Johnny Cash, Woody Guthrie, Pete Seeger and a girlfriend called Sylvie Russo, based on Dylan91Ƶs ex Suze Rotolo, who is pictured on 196391Ƶs album cover for 91ƵThe Freewheelin91Ƶ Bob Dylan.91Ƶ
is a hangdog Seeger hoping to harness Dylan for the goodness of folk, astonished by his talent. Monica Barbaro is a revelation as Baez, Dylan91Ƶs on-again-off-again paramour. Boyd Holbrook is a sharklike, disrupting Cash, with the movie91Ƶs best line: 91ƵMake some noise, B.D. Track some mud on the carpet.91Ƶ And Elle Fanning is captivating as Russo, the sweetheart sucked into this crazy rock drama.
It91Ƶs Baez and Russo who dig the deepest into trying to find out who Dylan is. They don91Ƶt buy his stories about learning from the carnival and call him on his facade-building. 91ƵI don91Ƶt know you,91Ƶ Russo says, calling him a 91Ƶmysterious minstrel91Ƶ and urging him to 91ƵStop hiding.91Ƶ Too late, sister.
There are some lovely moments, especially the morning after Baez spends the night and she wakes to him working on 91ƵBlowin91Ƶ in the Wind.91Ƶ They spar a bit (he calls her songs 91Ƶoil paintings at a dentist office,91Ƶ and she calls him worse than a jerk) but they come together on the side of his bed in their underwear, he fumbling through what will be one of the greatest protest songs in history, and she supplying delicate harmony.
Mangold 91Ƶ who directed the Cash biopic 91ƵWalk the Line91Ƶ 91Ƶ is always good with music and clearly loves being in this world. There91Ƶs one scene that initially puzzles 91Ƶ Dylan stops on the street to buy a toy whistle 91Ƶ and you wonder why the director has wasted our time. Then we see Dylan pull it out at the top of the recording of 91ƵHighway 61 Revisited91Ƶ and suddenly it answers all those years of wondering what that crazy sound was.
There are points to quibble 91Ƶ Dylan never faced a shout of 91ƵJudas!91Ƶ from an enraged folkie at Newport; that came a year later in Manchester 91Ƶ but 91ƵA Complete Unknown91Ƶ is utterly fascinating, capturing a moment in time when songs had weight, when they could move the culture 91Ƶ even if the singer who made them was as puzzling as a rolling stone.
91ƵA Complete Unknown,91Ƶ a Searchlight Pictures release in theaters Friday, is rated R for 91Ƶlanguage.91Ƶ Running time: 141 minutes. Three and a half stars out of four.