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Paying tribute to a primeval passage

Uninterrupted celebrates the Adams River sockeye run in an extraordinary way.
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A technician works on the blend of cinematic storytelling and high-tech art installation under the Cambie Street Bridge in Vancouver.

This year, the migration of Adams River Sockeye will take a detour, a magical stop in Vancouver.

It was seven years ago, 2010, when internationally acclaimed documentary film director Nettie Wild witnessed a spectacle that, as she puts it, changed her life.

Wild, from Vancouver, was one of the more than 160,000 people who made their way to the Shuswap to stand on the banks of the Adams River that year. There, she witnessed the incredible run of close to four million sockeye salmon who had journeyed more than 600 kilometres from the Pacific Ocean to spawn.

91裸聊视频淚 was completely and utterly overwhelmed. It changed my life. I was so stunned by what I saw91裸聊视频 For me to see a run of that magnitude was beyond belief. I felt I was witnessing a moment when the world was right91裸聊视频 It was exhilarating.91裸聊视频

Then, aside from the sheer force of nature, as an artist she saw something else.

91裸聊视频淲hen I looked down into the pool of extraordinary circling green and red, I saw patterns of colossal moving contemporary art. As an artist, I thought, can I possibly work with this?91裸聊视频

And so her journey began. It would sweep her along towards the creation of Uninterrupted, a monumental and innovative public spectacle - the high-tech projection of footage of the Adams91裸聊视频 River sockeye run onto Vancouver91裸聊视频檚 Cambie Street bridge, which spans Burrard Inlet and False Creek. Fittingly, she says, False Creek once teemed with salmon.

Viewing will take place from Coopers91裸聊视频 Park at the bridge91裸聊视频檚 north end, five nights a week, 10 p.m., Tuesday through Saturday, from June 28 to Sept. 24. On Aug. 15, the time will drop to 9 p.m. Viewing is free and family friendly. Eight hundred people per night, standing, will be able to experience the cinematic spectacle. An accessible viewing area is available.

Wild and her Canada Wild Productions, with producer Betsy Carson, have produced several internationally acclaimed films, but none like this.

Projecting onto the legs of the bridge and its entire underbelly has required 91裸聊视频渧ery, very cutting edge91裸聊视频 - or 91裸聊视频渂leeding edge91裸聊视频 - technology, as her editor calls it - essentially making up rules as they go along.

91裸聊视频淭he bridge has all these different surfaces, and the salmon have a mind of their own. A cast of millions, all of whom have their own minds. It91裸聊视频檚 thrilling and really hard,91裸聊视频 she smiles.

Essential to the process has been what Wild describes as 91裸聊视频渙ne of the world91裸聊视频檚 most special cameras.91裸聊视频

While an ordinary camera would shoot 24 frames per second, this one takes 2,000. Donated, and installed in underwater housing, it weighs 150 pounds.

91裸聊视频淯nderwater, it91裸聊视频檚 a whole other extraordinary world of movement and light. To film underwater is heaven91裸聊视频.91裸聊视频 she enthuses.

Wild relays how a couple of fish spawning will have a dust-up.

91裸聊视频淚t happens as fast as it takes to click your fingers, but makes 30 to 40 seconds of amazing cinema. It91裸聊视频檚 a whole domestic drama playing out; they carve the water with their fins and tails91裸聊视频91裸聊视频

Making her journey of discovery possible were the people on the river who welcomed her and her crew into their traditional territory. First Nations people have a deep understanding and connection with salmon, she acknowledges. 91裸聊视频淭hey live it.91裸聊视频

Along with the Adams River, over seven years she also filmed on the Sproat and Pitt rivers. Several First Nations were behind the project, including Little Shuswap and Neskonlith. The staff at Roderick Haig-Brown Provincial Park and the Adams River Salmon Society were also a huge help, she says, explaining that an 91裸聊视频渋ncredible army of people91裸聊视频 have made the project possible.

The Thomas family allowed the voice of late Neskonlith elder Mary Thomas to be used in the 25-minute film. Although there is no narration, says Wild, the film 91裸聊视频渦ses her voice as the spirit of the river, telling the story of the salmon in her language.91裸聊视频

The film is a celebration, she emphasizes, not a science lecture.

91裸聊视频淚t is a celebration that contemplates water, current, light, fish and even the city. It91裸聊视频檚 not setting up cities as an opponent.91裸聊视频

A short animated teaser runs beforehand.

91裸聊视频淚t91裸聊视频檚 a time when we thank various First Nations, funders, and there91裸聊视频檚 also a little surprise on the bridge. If you go to our website and if you actively engage with funders who are restoring habitat, your name will end up on the bridge.91裸聊视频

Her hope for the cinematic spectacle is that it imbues the kind of wonder that the sockeye run itself does.

91裸聊视频淲e are crystal clear and humble about what our objectives are. Our job as artists is to create a cinematic experience that takes people to a place they91裸聊视频檝e never been before91裸聊视频

91裸聊视频淚91裸聊视频檓 hoping it will trigger curiosity which will lead them to our website (uninterrupted.ca) and there they will find truly extraordinary people. It91裸聊视频檚 where people can go to help create a habitat more sustainable for sockeye in lots and lots of ways.91裸聊视频

Wild is hopeful people from the Shuswap will 91裸聊视频渕igrate downriver91裸聊视频 to come see the Adams River sockeye in their cinematic habitat.

Why the name, Uninterrupted?

91裸聊视频淲hen I was standing on the banks of that river, I was really moved by something that has been going on since time immemorial, uninterrupted. If we as human beings cared, know enough to care, we can ensure they can swim uninterrupted into the future.91裸聊视频

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The Cambie Street Bridge in Vancouver is illuminated with the cinematic spectacle, Uninterrupted.- Image credit: Michael J.P. Hall photo.
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Uninterrupted director Nettie Wild has spent many hours over the past seven years filming underwater in B.C. rivers.- Image credit: Michael J.P. Hall photo.


Martha Wickett

About the Author: Martha Wickett

came to Salmon Arm in May of 2004 to work at the Observer. I was looking for a change from the hustle and bustle of the Lower Mainland, where I had spent more than a decade working in community newspapers.
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