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A tale of history and humanization unfold in colourful 91ƵHaida Manga91Ƶ

Colourful watercolour panels of 91ƵJAJ: a Haida Manga91Ƶ leap off the page
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Author of 91ƵJAJ: A Haida Manga91Ƶ Michael Nicoll Yahgulanaas is shown along with the cover of the book in this combination handout image. (Karolina Turek, Douglas & McIntyre photo)

On a ship with torn sails, tossed by churning waters, the first of many Europeans needing rescue arrives along the coast of what is now B.C., before a Haida canoe brings an outstretched paddle and the warm light of salvation.

So begins the latest book of 91ƵHaida Manga91Ƶ by artist and author Michael Nicoll Yahgulanaas, as he reaches into the history of his own family and of colonization in a work that blends Indigenous artistic influences with Japanese manga comic-book story telling.

The colourful watercolour panels of 91ƵJAJ: a Haida Manga91Ƶ leap off the page as they draw the audience inside the world-spanning story.

Released in May, the book traces the journeys of both Yahgulanaas91Ƶs ancestors and the eponymous Norwegian mariner Johan Adrian Jacobsen, who visited Haida Gwaii in 1882 in search of cultural items for a German museum during a time of escalating colonial violence against Indigenous Peoples.

Yahgulanaas 91Ƶ whose works are in institutions including the British Museum, Metropolitan Museum of Art and Vancouver Art Gallery 91Ƶ said the story represents an invitation to humanize each other and forge a path toward a better future.

He said he found himself empathizing with Jacobsen, a young man who was 91Ƶpromised much and given little91Ƶ by those who hired him.

91ƵI discovered that, like myself, he comes from a small fishing village. His family would harvest seabird eggs for sale and eating, and I91Ƶve done the same,91Ƶ he said.

The artist91Ƶs mission is to create artwork that 91Ƶallows people who don91Ƶt know us to see us as humans,91Ƶ which he said hasn91Ƶt been the case for Indigenous Peoples and people of colourthrough colonization, and to a significant degree still isn91Ƶt.

91ƵI thought, if people could see the 91Ƶother,91Ƶ whoever the other is, as a son or a daughter, that would go a long way to humanizing and alleviating the violence.91Ƶ

The panel style of 91ƵJAJ91Ƶ is common to Japanese Manga and graphic novels, but instead of rigid boxes, Yahgulanaas91Ƶs story inhabits window-like spaces opened by a sinuous black line ebbing and flowing through the pages.

Unfold the dust cover and a surprise is revealed 91Ƶ the book91Ƶs 108 pages combine to form a single mural. The black line delineating the panels expands and contracts symmetrically across the mural, forming the image of a creature that recalls an old Haida weaving design.

It91Ƶs a style Yahgulanaas has employed in previous Haida Manga works.

The original 91ƵJAJ91Ƶ mural, four metres in length, now hangs in the Humboldt Forum, a museum in Berlin whose representatives approached Yahgulanaas to see if he was interested in creating a piece of artwork reflecting on Jacobsen91Ƶs story.

Also on display at the German museum is the Haida totem pole that Jacobsen brought back with him.

Yahgulanaas91Ƶs work is at once playful, mischievous and serious; he depicts an encounter between Jacobson and one of his real-life ancestors, George, as a key part of the narrative.

Some encounters like this are imagined, but real historical figures play an active role in the story, overseeing the spread of smallpox that devastated Indigenous communities.

While doing research for 91ƵJAJ,91Ƶ Yahgulanaas said he discovered that ancestors on his father91Ƶs side came from the same part of Norway as Jacobsen, making the story even more personal.

91ƵIt became more important to humanize all the characters,91Ƶ Yahgulanaas said.

Jacobsen went to Berlin to try to establish a career, improve his circumstances and start a family, and Yahgulanaas said he moved to Vancouver with similar desires.

Yahgulanaas comes from Masset, on the northern tip of Haida Gwaii, where artwork has long been an economic driver.

He said that artwork has tended toward the 91Ƶmonumental,91Ƶ often ending up in privileged places like grand institutions and private collections.

That bothered Yahgulanaas.

91ƵWe reduce ourselves as individuals. We make ourselves small in the presence of that which is grand and great,91Ƶ he said.

The scale of Yahgulanaas91Ƶs murals preserves a sense of grandeur, but transforming them into books makes them accessible and engaging.

91ƵA book can live in your hand. You can flip the page forwards and backwards. You are in control of the flow of the story 91Ƶ it is subject to your interpretation.91Ƶ

Comic books and graphic storytelling can also span barriers of ethnicity, class, language and education, Yahgulanaas said.

The artist said 91ƵJAJ91Ƶ is an invitation to start a conversation, and forge new relationships that put an end to violence.

91ƵIt91Ƶs the Haida belief that if you make friends first, if you establish the human relationship first, then those difficult questions can be resolved much easier.91Ƶ

Brenna Owen, The Canadian Press

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