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REVIEW: Audacious 91ƵThe Book of Clarence91Ƶ may be too audacious

Bible-era story falls muddily between the sacred and the profane
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This image released by Sony Pictures shows a scene from 91ƵThe Book of Clarence.91Ƶ (Legendary Entertainment/Sony via AP)

Somewhere between the sacred and profane, comedy, drama and satire comes 91ƵThe Book of Clarence,91Ƶ a retelling of The Greatest Story Ever Told that arrives in theaters appropriately between Christmas and Easter.

It91Ƶs a remarkably idiosyncratic approach by , who for this Biblical-era tale is director, producer, writer and composer for only his second feature. You have to kind of hand it to him: Who else would have the audacity to tackle Jesus in your second outing?

91Ƶ 91Ƶ with a stunning cast that includes LaKeith Stanfield, James McAvoy, Anna Diop, Benedict Cumberbatch, Alfre Woodard and David Oyelowo 91Ƶ careens through tones and sentiment, silly in one and then horrific in another. Samuel says he wants viewers to have a 91Ƶwicked good time91Ƶ but really it91Ƶs a bit of a muddled, unholy mess.

It is 33 AD in Jerusalem and Stanfield plays Clarence, a street hustler in robes who likes getting high 91Ƶ in one cool, surreal scene he floats into the air like a balloon 91Ƶ and dreams up schemes to get rich quick. He91Ƶs got the hots for a local beauty but owes a ton of coins to that beauty91Ƶs loansharking brother.

Clarence is called the 91Ƶvillage91Ƶs mischief maker91Ƶ and even his mother thinks he needs to get his act together. 91ƵI91Ƶm not a nobody,91Ƶ he tells his twin brother, Thomas (also Stanfield, naturally). 91ƵA man who lacks honor is a nobody,91Ƶ his brother replies. We know things are going to end painfully for Clarence because one of the first images in the movie is of him on a cross.

Clarence doesn91Ƶt believe in God and certainly doesn91Ƶt believe that the local guy named Jesus is capable of miracles. It91Ƶs a scam to him. He tries to become a 13th apostle to pay off his debts. When that fails he decides to pretend to be a messiah, too, and get paid for so-called tricks.

Samuel, whose previous movie was the all-Black Western has some creative ideas, like using a chariot race to honor both 91ƵBen Hur91Ƶ and 91ƵFast & Furious,91Ƶ as well as wonderfully capturing the Last Supper like a painting come alive. He apes biblical epics in his title fonts and the opening and closing of the camera91Ƶs iris. He mixes stilted language 91Ƶ 91ƵI must make haste91Ƶ 91Ƶ with modern turns (91ƵI91Ƶve got the cobblestones on lock.91Ƶ) This is the first Biblical epic to uses the term 91Ƶdumbass.91Ƶ

But Samuel never stays with any idea for long and 91ƵThe Book of Clarence91Ƶ lacks cohesion, as well as consistency, even if the acting is superb, especially from a soulful Stanfield. Is Samuel honoring sword-and-sandal epics? Updating them? Mocking them? Looking at the Jesus story through a Black lens is immensely rewarding but the pay-off is poor.

There are plenty of messiahs here 91Ƶ like Spider-Mans in the multiverse 91Ƶ but it is not clear what the filmmaker wants to say with them. A critique of celebrity? A message about entertainment? That faith comes even to those who have none? That we kill all our saviors? It91Ƶs not even clear if this is a pro- or anti-religious movie.

Samuel comments powerfully on us today when white Roman police stop-and-frisk Black Jerusalem residents, but then wastes such a great potential vein to mine with a swanky dance party and cool choreographed moves. He makes us shudder as nails are pounded into Clarence91Ƶs flesh, yet also includes humor at the crucifixion 91Ƶ from the actual guys doing the dying. He has a scene with brutal rock throwing and yet also a recurring goofy bit about light bulbs appearing over Clarence91Ƶs head.

It91Ƶs a mind-melting piece of filmmaking, having elements of both Monty Python91Ƶs 91ƵLife of Brian91Ƶ and 91ƵThe Ten Commandments.91Ƶ (Fun fact, the Italian city of Matera stands in for Jerusalem here and was also where 91ƵThe Passion of the Christ91Ƶ was filmed.) Add to that an exciting soundtrack of more than a dozen songs by Samuel (even on the movie) and 91ƵThe Book of Clarence91Ƶ is worth a look simply for its sheer daring. But we wouldn91Ƶt go so far as to say its creator walks on water.

91ƵThe Book of Clarence,91Ƶ a Columbia Pictures/Legendary Entertainment release that hits theaters Jan. 12, is rated PG-13 for 91Ƶstrong violence, drug use, strong language, some suggestive material and smoking.91Ƶ Running time: 136 minutes. Two stars out of four.





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