The demands of achieving both one-day shipping and a satisfying orgasm collide in Halina Reijn91Ƶs a kinky and darkly comic erotic thriller about sex in the Amazon era.
stars as Romy Mathis, the chief executive of Tensile, a robotics business that pioneered automotive warehouses. In the movie91Ƶs opening credits, a maze of conveyor belts and bots shuttle boxes this way and that without a human in sight.
Romy, too, is a little robotic. She intensely presides over the company. Her eyes are glued to her phone. She gets Botox injections, practices corporate-speak presentations (91ƵLook up, smile and never show your weakness91Ƶ) and maintains a floor-through New York apartment, along with a mansion in the suburbs that she shares with her theater-director husband ( ) and two teenage daughters (Esther McGregor and Vaughan Reilly).
But the veneer of control is only that in 91ƵBⲵ,91Ƶ a sometimes campy, frequently entertaining modern update to the erotically charged movies of the 1990s, like 91ƵBasic Instinct91Ƶ and 91Ƶ9 1/2 Weeks.91Ƶ Reijn, the Dutch director of has critically made her film from a more female point of view, resulting in ever-shifting gender and power dynamics that make 91ƵBabygirl91Ƶ seldom predictable 91Ƶ even if the film is never quite as daring as it seems to thinks it is.
The opening moments of 91ƵBⲵ,91Ƶ which A24 releases Wednesday, are of Kidman in close-up and apparent climax. But moments after she and her husband finish and say 91ƵI love you,91Ƶ she retreats down the hall to writhe on the floor while watching cheap, transgressive internet pornography. The breathy soundtrack, by the composer Cristobal Tapia de Veer, heaves and puffs along with the film91Ƶs main character.
One day while walking into the office, Romy is taken by a scene on the street. A violent dog gets loose but a young man, with remarkable calmness, calls to the dog and settles it. She seems infatuated. The man turns out to be Samuel (Harris Dickinson), one of the interns just starting at Tensile. When they meet inside the building, his manner with her is disarmingly frank. Samuel arranges for a brief meeting with Romy, during which he tells her, point blank, 91ƵI think you like to be told what to do.91Ƶ She doesn91Ƶt disagree.
Some of the same dynamic seen on the sidewalk, of animalistic urges and submission to them, ensues between Samuel and Romy. A great deal of the pleasure in 91ƵBabygirl91Ƶ comes in watching Kidman, who so indelibly depicted uncompromised female desire in Stanley Kubrick91Ƶs 91ƵEyes Wide Shut,91Ƶ again wade into the mysteries of sexual hunger.
91ƵBⲵ,91Ƶ which Reijn also wrote, is sometimes a bit much. (In one scene, Samuel feeds Romy saucers of milk while George Michael91Ƶs 91ƵFather Figure91Ƶ blares.) But its two lead actors are never anything but completely magnetic. Kidman deftly portrays Romy as a woman falling helplessly into an affair; she both knows what she91Ƶs doing and doesn91Ƶt.
Dickinson exudes a disarming intensity; his chemistry with Kidman, despite their quickly forgotten age gap, is visceral. As their affair evolves, Samuel91Ƶs sense of control expands and he begins to threaten a call to HR. That he could destroy her doesn91Ƶt necessarily make Romy any less interested in seeing him, though there are some delicious post-#MeToo ironies in their clandestine CEO-intern relationship. Also in the mix is Romy91Ƶs executive assistant, Esme (Sophie Wilde, also very good), who91Ƶs eager for her own promotion.
Where 91ƵBabygirl91Ƶ heads from here, I won91Ƶt say. But the movie is less interested in workplace politics than it is in acknowledging authentic desires, even if they91Ƶre a little ludicrous. There91Ƶs genuine tenderness in their meetings, no matter the games that are played. Late in the film, Samuel describes it as 91Ƶtwo children playing.91Ƶ
As a kind of erotic parable of control, 91ƵBabygirl91Ƶ is also, either fittingly or ironically, shot in the very New York headquarters of its distributor, A24. For a studio that91Ƶs sometimes been accused of having a 91Ƶhouse style,91Ƶ here91Ƶs a movie that goes one step further by literally moving in.
What about that automation stuff earlier? Well, our collective submission to digital overloads might have been a compelling jumping-off point for the film, but along the way, not every thread gets unraveled in the easily distracted 91ƵBabygirl.91Ƶ Saucers of milk will do that.
91ƵBⲵ,91Ƶ an A24 release, is rated R by the Motion Picture Association for 91Ƶstrong sexual content, nudity and language.91Ƶ Running time: 114 minutes. Three stars out of four.