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R.T. Thorne says debut film 91Ƶ40 Acres91Ƶ inspired by fears from pandemic

Post-apocalyptic thriller tells the story of family trying to survive in a famine-ravaged world
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Randall Thorne, the director and co-writer of the film 91Ƶ40 Acres,91Ƶ poses for a photo at the 2024 TIFF press conference and festival kickoff in Toronto, Thursday, Aug. 22, 2024. THE CANADIAN PRESS/Paige Taylor White

As the COVID-19 pandemic upended daily life a few years ago, R.T. Thorne found himself facing 91Ƶexistential fears.91Ƶ

With the food supply chain disrupted and people stockpiling toilet paper, the Calgary-born director started questioning whether the world he knew was ever as stable as it seemed.

91ƵIf a sickness that we can91Ƶt even control knocks us off our rocker like that, are we really that safe? Are we really that firm in what we know?91Ƶ Thorne recalls wondering.

91ƵSo it started to make me think, 91ƵCan I provide for my kids if everything were to shut down? Can I grow food? Do I know how to do that? Can I protect them?91Ƶ

Thorne says those uncertainties were key inspirations for his debut film 91Ƶ40 Acres,91Ƶ which premiered at the Toronto International Film Festival this week.

The post-apocalyptic thriller centres on Hailey Freeman, an ex-military matriarch played by Danielle Deadwyler who leads her family in a future ravaged by famine. Faced with the threat of a ruthless band of cannibals intent on overtaking their farm, she clashes with her son Emanuel, played by Toronto91Ƶs Kataem O91ƵConnor, on the best way to survive a crumbling world.

91ƵAt its heart, it91Ƶs a mother and son story,91Ƶ says Thorne, who cut his teeth directing music videos for artists including Sean Paul and Keshia Chanté before creating 2020 sci-fi series 91ƵUtopia Falls91Ƶ and helming 2022 period drama 91ƵThe Porter,91Ƶ both of which aired on CBC.

91ƵIt91Ƶs a thriller that91Ƶs about two different ideologies of how to move forward in a family.91Ƶ

While Hailey believes her family91Ƶs safety depends on complete isolation, Emanuel craves connection, eager to explore the world outside their farm after encountering a young woman from a nearby homestead, played by Toronto-born Milcania Diaz-Rojas.

Thorne and co-writer Glenn Taylor weave the dystopian survival story together with a metaphor for the complex history of land ownership in North America. Hailey is a descendant of a Black family of farmers who settled in Canada after the American Civil War, while her partner, Michael Greyeyes91Ƶ Galen, is Indigenous.

91ƵI wanted to make a story about a family I91Ƶve never seen on screen before. It91Ƶs a blended Black and Indigenous family,91Ƶ says Thorne.

91ƵI think there are so many stories in Canada that can be told.91Ƶ

Thorne says 91Ƶ40 Acres91Ƶ draws on several current political and economic challenges, from racial inequality to food insecurity to Indigenous land rights.

91ƵWe91Ƶve been in this space for almost a decade where socially there have been a lot of things that have been happening in the world that are causing a lot of people worry,91Ƶ he says.

91ƵHopefully (we can) put these ideas out there and let people contemplate it, but take them for a little ride as well.91Ƶ

Thorne says his film has been eight years in the making and premiering it at TIFF has been a 91Ƶdream come true.91Ƶ

91ƵI91Ƶve been coming to this festival for over 20 years as a film lover, just seeing amazing films that just rocked my world,91Ƶ he says.

91ƵI91Ƶm honoured to be able to come here and have my debut film at the festival that I love.91Ƶ

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Alex Nino Gheciu, The Canadian Press

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