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REVIEW: 91ƵPriscilla91Ƶ charts move from teen fantasy to surreal reality

Not many false notes in Coppola91Ƶs richly layered look at the bride of Elvis
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This image released by A24 shows Cailee Spaeny as Priscilla, in a scene from 91ƵPriscilla.91Ƶ (Sabrina Lantos/A24 via AP)

Dreamily gazing at the album covers of was not, statistically speaking, a rare habit among American teen girls in the late 1950s and early 91Ƶ60s.

But for teenage fantasy became a strange and surreal reality. Sofia Coppola91Ƶs starring captures all the dreaminess, the absurdity and, finally, the nightmare of falling in love with Elvis.

Priscilla was just 14 years-old 91Ƶ a 9th grader 91Ƶ when she first met him. It was 1959. She was living in West Germany, where her Air Force officer stepfather was stationed. The swoony early scenes of Coppola91Ƶs film find a solitary Priscilla sipping soda in a Navy base diner while a cover of Frankie Avalon91Ƶs 91ƵVenus91Ƶ (91ƵVenus, make her fair / A lovely girl with sunlight in her hair91Ƶ) plays around her.

A man approaches and asks if she likes Elvis. Of course she does. Would she like to meet him? Um, what? After some negotiations with her parents, Priscilla is sitting there on the sofa at a small party when the King of Rock 91Ƶn91Ƶ Roll, himself (Jacob Elordi), strolls down the stairs. Big, big sigh.

Coppola, the writer-director of 91ƵThe Virgin Suicides,91Ƶ 91ƵLost in Translation91Ƶ and 91ƵSomewhere,91Ƶ has always been innately attuned to the forming identities, swelling desires and intimate revelations of young women. In the story of Priscilla Presley (the film is based on her 1985 memoir, ), Coppola has found a tale tailor-made for her delicately perceptive style of filmmaking.

As a movie, 91ƵPriscilla91Ƶ is the diametric opposite of Where was lurid and careening, Coppola91Ƶs is muted and textured. Her film is a kind of fairy tale that turns claustrophobic and cautionary.

91ƵPriscilla91Ƶ is, at least at first, quite funny. After Priscilla initially catches Elvis91Ƶ eye at that party, she91Ƶs back at school learning about the food groups. How could anyone possibly stomach that? Or when, after Elvis hasn91Ƶt called following his stint in the military, Priscilla91Ƶs mother asks her if there aren91Ƶt any boys in school she might be interested in, instead. Priscilla doesn91Ƶt need to say anything; just the image of lining up your average 9th grade boy against Elvis Presley is enough.

Yet their courtship continues in somewhat traditional fashion. Elvis, played with relaxed magnetism by Elordi (91ƵThe Kissing Booth,91Ƶ 91ƵSaltburn91Ƶ), is drawn to Priscilla because she reminds him of home; it91Ƶs clear her purity is part of her appeal to him. It91Ƶs a long time before they have sex, though her youth remains tacitly problematic. 91ƵWow, she91Ƶs young,91Ƶ says one woman watching Elvis lead Priscilla upstairs. 91ƵLike a little girl.91Ƶ

Their life together is initially sweet if deranged. Priscilla drifts through a dream world even if Elvis91Ƶ extremes are glaring to us. His bedroom in Graceland is comically gaudy. 91ƵI got this for you,91Ƶ we hear Elvis say kindly, before a handgun is handed over.

No Presley songs play in 91ƵPriscilla.91Ƶ (While Priscilla Presley is an executive producer, the Elvis estate didn91Ƶt participate in the film.) But it does share a telling track ( ) with Terence Malick91Ƶs 91ƵBadlands,91Ƶ another movie about an underage teen girl (Sissy Spacek) who throws her life in with a charismatic drifter with matinee-idol looks (Martin Sheen).

And like they do for Holly in 91ƵBadlands,91Ƶ things turn increasingly dark for Priscilla. Elvis treats her like a doll he keeps at home while he goes in and out. 91ƵIt91Ƶs either me or a career, baby,91Ƶ he tells her. Coppola, who dedicates the movie to her mother, Eleanor Coppola, has long specialized in gilded cages (91ƵMarie Antoinette,91Ƶ 91ƵThe Bling Ring91Ƶ). Graceland turns out to be a prison to Priscilla.

There aren91Ƶt many false notes in Coppola91Ƶs richly layered film, handsomely shot by Philippe Le Sourd, with sumptuous production design from Tamara Deverell and fine, toned-down costumes by Stacey Battat.

But 91ƵPriscilla91Ƶ fades where 91ƵElvis91Ƶ found its footing. When Presley91Ƶs downturn accelerates in Las Vegas, Luhrmann91Ƶs movie swelled with tragedy. In the same time period here, Priscilla awakens. Yet it feels underdeveloped, coming too quickly, in a sudden rush 91Ƶ albeit a terrific rush, with Dolly Parton playing.

A constant throughout, though, is Spaeny. This is a deft breakthrough performance perfectly poised between youthful fantasy and adult reality.

91ƵP,91Ƶ an A24 release, is rated R by the Motion Picture Association for drug use and some language. Running time: 113 minutes. Three stars out of four.

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