A moment from years ago keeps replaying in 91裸聊视频檚 mind.
When Akira Kurosawa was given an honorary Academy Award in 1990, the then 80-year-old Japanese filmmaker of 91裸聊视频淪even Samurai91裸聊视频� and 91裸聊视频淚kiru,91裸聊视频� said he hadn91裸聊视频檛 yet grasped the full essence of cinema.
It struck Scorsese, then in post-production on 91裸聊视频淕oodfellas,91裸聊视频� as a curious thing for such a master filmmaker to say. It wasn91裸聊视频檛 until Scorsese also turned 80 that he began to comprehend Kurosawa91裸聊视频檚 words. Even now, Scorsese says he91裸聊视频檚 just realizing the possibilities of cinema.
91裸聊视频淚91裸聊视频檝e lived long enough to be his age and I think I understand now,91裸聊视频� Scorsese said in a recent interview. 91裸聊视频淏ecause there is no limit. The limit is in yourself. These are just tools, the lights and the camera and that stuff. How much further can you explore who you are?91裸聊视频�
Scorsese91裸聊视频檚 lifelong exploration has seemingly only grown deeper and more self-examining with time. In recent years, his films have swelled in scale and ambition as he91裸聊视频檚 plumbed the nature of faith ( ) and loss ( ).
His latest, about the systematic killing of Osage Nation members for their oil-rich land in the 1920s, is in many ways far outside Scorsese91裸聊视频檚 own experience. But as a story of trust and betrayal 91裸聊视频� the film is centered on the loving yet treacherous relationship between Mollie Kyle (Lily Gladstone), a member of a larger Osage family, and Ernest Burkhart (Leonardo DiCaprio), a WWI veteran who comes to work for his corrupt uncle (Robert De Niro) 91裸聊视频� it91裸聊视频檚 a profoundly personal film that maps some of the themes of Scorsese91裸聊视频檚 gangster films onto American history.
More than the back-room dealings of 91裸聊视频淐asino,91裸聊视频� the bloody rampages of 91裸聊视频淕angs of New York91裸聊视频� or the financial swindling of 91裸聊视频淭he Wolf of Wall Street,91裸聊视频� 91裸聊视频淜illers of the Flower Moon91裸聊视频� is the story of a crime wave. It91裸聊视频檚 a disturbingly insidious one, where greed and violence infiltrate the most intimate relationships 91裸聊视频� a genocide in the home. All of which, to Scorsese, harkens back to the tough guys and the weak-willed go-alongs he witnessed in his childhood growing up on Elizabeth Street in New York.
91裸聊视频淭hat91裸聊视频檚 been my whole life, dealing with who we are,91裸聊视频� says Scorsese. 91裸聊视频淚 found that this story lent itself to that exploration further.91裸聊视频�
91裸聊视频淜illers of the Flower Moon,91裸聊视频� a $200-million, 206-minute epic produced by Apple that91裸聊视频檚 in theaters Friday, is an audacious big swing by Scorsese to continue his kind of ambitious, personal filmmaking on the largest scale at a time when such grand, big-screen statements are a rarity.
Scorsese considers 91裸聊视频淜illers of the Flower Moon91裸聊视频� 91裸聊视频渁n internal spectacle.91裸聊视频� The Oklahoma-set film, adapted from , might be called his first Western. But while developing Grann91裸聊视频檚 book, which chronicles the Osage murders and the birth of the FBI, Scorsese came to the realization that centering the film on federal investigator Tom White was a familiar a type of Western.
91裸聊视频淚 realized: 91裸聊视频榊ou don91裸聊视频檛 do that. Your Westerns are the Westerns you saw in the late 91裸聊视频�40s and early 91裸聊视频�50s, that91裸聊视频檚 it. Peckinpah finished that. 91裸聊视频榃ild Bunch,91裸聊视频� that91裸聊视频檚 the end. Now they91裸聊视频檙e different,91裸聊视频� he says. 91裸聊视频淚t represented a certain time in who we were as a nation and a certain time in the world 91裸聊视频� and the end of the studio system. It was a genre. That folklore is gone.91裸聊视频�
Scorsese, after conversations with Leonardo DiCaprio, pivoted to the story of Ernest and Mollie and a perspective closer to Osage Nation. Consultations with the tribe continued and expanded to include accurately capturing language, traditional clothing and customs.
91裸聊视频淚t91裸聊视频檚 historical that Indigenous Peoples can tell their story at this level. That91裸聊视频檚 never happened before as far as I know,91裸聊视频� says Geoffrey Standing Bear, Principal Chief of Osage Nation. 91裸聊视频淚t took somebody who could know that we91裸聊视频檝e been betrayed for hundreds of years. He wrote a story about betrayal of trust.91裸聊视频�
91裸聊视频淜illers of the Flower Moon91裸聊视频� for Scorsese grew out of a period of reflection and reevaluation during the pandemic. COVID-19, he says, was 91裸聊视频渁 gamechanger.91裸聊视频� For a filmmaker whose time is so intensely scheduled, the break was in some ways a relief, and it allowed him a chance to reconsider what he wants to dedicate himself to. For him, preparing a film is a meditative process.
91裸聊视频淚 don91裸聊视频檛 use a computer because I tried a couple times and I got very distracted. I get distracted as it is,91裸聊视频� Scorsese says. 91裸聊视频淚91裸聊视频檝e got films, I91裸聊视频檝e got books, I91裸聊视频檝e got people. I91裸聊视频檝e only begun this year to read emails. Emails, they scare me. It says 91裸聊视频楥C91裸聊视频� and there are a thousand names. Who are these people?91裸聊视频�
Scorsese is laughing when he says this, surely aware that he91裸聊视频檚 playing up his image as a member of the old guard. (A moment later he adds that voicemail 91裸聊视频渋s interesting to do at times.91裸聊视频�) Yet he91裸聊视频檚 also keen enough with technology to and make cameos in
Scorsese has for years been the preeminent conscience of cinema, passionately arguing for the place of personal filmmaking in an era of moviegoing where films can be devalued as 91裸聊视频渃ontent,91裸聊视频� and big-screen vision can be shrunk down on streaming platforms.
91裸聊视频淚91裸聊视频檓 trying to keep alive the sense that cinema is an artform,91裸聊视频� Scorsese says. 91裸聊视频淭he next generation may not see it that way because as children and younger people, they91裸聊视频檙e exposed to films that are wonderful entertainment, beautifully made, but are purely diversionary. I think cinema can enrich your life.91裸聊视频�
91裸聊视频淎s I91裸聊视频檓 leaving, I91裸聊视频檓 trying to say: Remember, this can really be something beautiful in your life.91裸聊视频�
That mission includes spearheading extensive restoration work with the along with a regular output of . Scorsese and his longtime editor Thelma Schoonmaker are currently producing a documentary on
Cinema, he says, may be the preeminent 20th century artform, but something else will belong to the 21st century. Now, Scorsese says, 91裸聊视频渢he visual image could be done by anything by anybody anytime anywhere.91裸聊视频�
91裸聊视频淭he possibilities are infinite on all levels. And that91裸聊视频檚 exciting,91裸聊视频� Scorsese says. 91裸聊视频淏ut at the same time, the more choices, the more difficult it is.91裸聊视频�
The pressure of time is weighing more heavily on Scorsese, too. He has, he91裸聊视频檚 said, maybe two more feature films left in him. Currently in the mix are an adaptation of Grann91裸聊视频檚 latest book, 91裸聊视频� and an adaptation of Marilynne Robinson91裸聊视频檚 91裸聊视频淗ome.91裸聊视频�
91裸聊视频淗e91裸聊视频檚 uncompromising. He just does what he feels he really wants to look into,91裸聊视频� says Rodrigo Prieto, Scorsese91裸聊视频檚 cinematographer on 91裸聊视频淔lower Moon,91裸聊视频� as well as his last three feature films.
91裸聊视频淵ou can feel that it91裸聊视频檚 a personal exploration of his own psyche,91裸聊视频� adds Prieto. 91裸聊视频淚n doing that, he allows growth for everybody, in a way, to really look into these characters who might be doing things we might find very objectionable. I can91裸聊视频檛 think of many other filmmakers who attempt at such a level of empathy and understanding.91裸聊视频�
Yet Scorsese says he often feels like he91裸聊视频檚 in a race to accomplish what he can with the time he has left. Increasingly, he91裸聊视频檚 prioritizing what91裸聊视频檚 worth it. Some things are easier for him to give up.
91裸聊视频淲ould I like to do more? Yeah. Would I like to go to everybody91裸聊视频檚 parties and dinner parties and things? Yeah, but you know what? I think I know enough people,91裸聊视频� Scorsese says with a laugh. 91裸聊视频淲ould I like to go see the ancient Greek ruins? Yes. Go back to Sicily? Yes. Go back to Naples again? Yes. North Africa? Yes. But I don91裸聊视频檛 have to.91裸聊视频�
Time for Scorsese may be waning but curiosity is as abundant as ever. Recent reading for him includes a new translation of Alessandro Manzoni91裸聊视频檚 91裸聊视频淭he Betrothed.91裸聊视频� Some old favorites he can91裸聊视频檛 help but keep revisiting. 91裸聊视频淥ut of the Past91裸聊视频� 91裸聊视频� a movie he first saw as 6-year-old 91裸聊视频� he watched again a few weeks ago. (91裸聊视频淲henever it91裸聊视频檚 on, I have to stop and watch it.91裸聊视频�) Vittorio De Sica91裸聊视频檚 91裸聊视频淕olden Naples91裸聊视频� was another recent rewatch.
91裸聊视频淚f I91裸聊视频檓 curious about something, I think I91裸聊视频檒l find a way 91裸聊视频� if I hold out, if I hold up 91裸聊视频� to try to make something about it on film,91裸聊视频� he says. 91裸聊视频淢y curiosity is still there.91裸聊视频�
So too is his continued astonishment at cinema and its capacity to transfix. Sometimes, Scorsese can hardly believe it. The other day he watched 1945 horror film 91裸聊视频淭he Isle of the Dead,91裸聊视频� with Boris Karloff.
91裸聊视频淩eally? How many more times am I going to see that?91裸聊视频� Scorsese says, laughing at himself. 91裸聊视频淚t91裸聊视频檚 their looks and their faces and the way (Karloff) moves. When I first saw it as a child, a young teenager, I was terrified by the film and the silences of it. The sense of contamination. I still get stuck on it.91裸聊视频�
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